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The title appears with a horizontal arrow between the words 'Black Londoners' and 'through time'.

|Year: 1813|

George Polgreen Bridgetower

George Polgreen Bridgetower was a brilliant musician whose violin playing made him famous across Europe when he was still just a boy.

This image shows a busy Drury Lane theatre in the middle of a performance.

Drury Lane theatre aquatint, 1808

Have you ever been to a performance in London’s West End?

George was born in 1778 or 1780 in Biala, Poland, to a Polish mother and an African Caribbean father. His father, Friedrich de August Bridgetower, may have escaped enslavement in Barbados. Friedrich worked in the home of Prince Esterhazy, in a castle with its own opera house and puppet theatre. The famous composer Haydn was in charge of music in this royal household.

A man of many talents

This pencil and watercolour portrait shows a young Bridgetower looking to the left, with three quarters of his face shown. © The Trustees of the British Museum / CC BY-NC-SA 4.0

Pencil and watercolour portrait of George Bridgetower by Henry Edridge, 1790.

This portrait was made when George Bridgetower was 12 years old and already a famous musician. © The Trustees of the British Museum / CC BY-NC-SA 4.0

George Bridgetower learned to read and write music and to play the violin. He was extremely talented and performed on stage in a concert in Paris, France, at the age of just nine or ten!

George was a polyglot – this means that he spoke many languages. He was fluent in English, German, French, Italian and Polish.

  • Do you speak more than one language?
  • Can you sing a song in one of your languages? Or have you ever learned a song in a different language?

Performances fit for a king!

The Prince of Wales - later George IV – is holding a tricorn hat, leaning on a marble-top table on which rests a crown on a cushion. He is wearing a blue suit with heavy brocade, a garter ribbon and a sword, and standing on a carpeted balcony with curtains draped behind but not so as to obscure a troop of cavalry below.

His Royal Highness George Augustus Frederick, Prince of Wales, 1795

Portraits often tell a story about the person they show. What can you tell about George IV from his portrait?

After taking Paris by storm, George and his father travelled to England. They played in Bath, Bristol, Brighton and London and drew the attention and support of the Prince – who later became King George IV.

The Prince invited George to join his private orchestra as first violin – the orchestra leader. George played over 50 concerts in famous London theatres in Drury Lane, Haymarket and Covent Garden.

  • Have you ever performed in front of friends or family, or on a stage? What did it feel like?

Falling out with a famous composer

A violin made by Duke of London in a case made by Hart and Son, London. The handle is inscribed 'Jeremy Bentham', the original owner of the violin.

A violin made in 1769

This instrument was owned by Jeremy Bentham, an English philosopher and social reformer.

While on a concert tour of Germany and Austria, George was introduced to the famous composer Ludwig Van Beethoven. Beethoven was impressed with him and wrote a violin sonata just for him.

However, George made a joke about a woman who was Beethoven’s friend and they fell out. Beethoven was so cross that he renamed the sonata for another violinist called Kreutzer. However, when Kreutzer was sent the manuscript he said that it was far too difficult for him to play!

Click the triangular play button below to listen to this extract from the Kreutzer Sonata. It is known as the most challenging piece of classical music ever written for violin:

Recently remembered

Not much is known about George Bridgetower’s life as he grew older. Records tell us that he lived in a home for the poor and was ill – he suffered with very painful arthritis in his fingers – and he died almost unknown, in Peckham, South London in 1860. He was buried in Kensal Green Cemetery.

However, his legacy remains, with modern musicians like Julian Joseph revisiting his work and encouraging people to remember this talented musician who made a powerful impact on all who heard him play.

The Grand Union Canal can be seen in the background of this watercolour. The view is of the cemetery before it was built and is probably linked to the architect's early plans.

A bird's-eye view of Kensal Green Cemetery in the 19th century

Would you recognise this as a part of London today?


The title 'Black Londoners through time' sits above an image of a woman dancing in colourful dress at the Notting Hill Carnival, a smart soldier in uniform, a statue of a woman's face and an ink illustration of Ignatius Sancho.

Black Londoners through time

Keep on discovering London’s Black history from the Roman era to the present day in our timeline.